kingrat: (Devil)

Without further ado, here’s the web release of my band’s new album, Stuck On You.

CD Cover
  1. Call Me Maybe
  2. Baby
  3. International Love
  4. Fuck You
  5. Boyfriend
  6. Just The Way You Are
  7. Last Christmas
  8. Like a Virgin
  9. Drunk On You
  10. Before He Cheats
  11. Bonus Track

It’s love songs! For Valentine’s Day! Because we love you!

crossposted from King Rat.

kingrat: (Logo)

The largest amount of time I spend listening to music these days is on KCRW‘s web site. I don’t know why exactly, but I really dig their music taste lately. Last week though, they had a pledge drive. So I turned to their all-music channel Eclectic24 for the duration. And that’s where I caught the piece above. It’s called Lillies Of The Valley according to the KCRW web site. I had to buy it.

Looking for it, it is on the soundtrack to the documentary Pina by Wim Wenders. But it isn’t available for purchase without buying the whole album. Seriously? Okay. Searching around today though it appears another version of the song, Alviverde, is available. It has lyrics though.

I did pull up Pina on Netflix though. It’s about Pina Bausch, who was a dancer and choreographer, who died just as filming on the documentary started. Now, to say I am unfamiliar with modern dance would be understating things. At the handful of modern dance performances I have attended I generally give the okay face. I just don’t get most of it.

But the pieces that were featured in the documentary? Whoa. I still don’t know what I watched, but that was way interesting. If Tanztheater Wuppertal Pina Bausch ever tours around here, I want to know about it so I can attend. If you have Netflix, go watch at least a part of that. Totally mesmerizing.

crossposted from King Rat.

kingrat: (Logo)

I came to popular music late, something which affects my relationship with it, though I can’t tell you exactly how. Mom was pretty religious and a homebody. She liked listening to hymns, church music, and Through The Bible Hour. Dad liked old style country. Mostly Johnny Horton played on repeat. Neither of them encouraged me to engage with popular music, and sometimes actively discouraged it. We also had to pinch pennies so I didn’t get my own radio until 1983. I can’t remember why they bought a new family stereo then, but I got the old one. Something on it was probably broken, though I don’t think it was the record player part. I remember using that.

1983 or 1984 is when I first started listening to popular music at all. I started listening to K-PLUS when Kent and Alan started at the station. I remember a big promotional effort touting their new morning show on the station. I listened to Rick Dees weekly Top 40. Being the OCD person I am, I listed the songs played on that show religiously. If I missed a week for some reason, I would fill in the blanks in subsequent weeks when Dees announced that a song had moved up or down X slots.

K-PLUS and (as it later became) Z-101.5 was my only real exposure to music. Maybe a little bit of K-JET that my ride Craig Adams played in the car when he drove to school my last year of high school. Then I went off to college, and Idaho was a wasteland of music. One Top 40 station, one classic rock station, and other stuff I never payed attention to. I listened to a lot of hair bands.

Anyway, the point of all this is I don’t have a lot of memories of music. So when Donna Summers died today and Facebook exploded with people remembering her music from their childhoods, I don’t get to participate. This happens to me lot. I have little in the way of nostalgic associations for any music.

My connection to songs continues to be ephemeral. I started going to clubs in 1999 and listening to a lot more music. But most of the music only stays in the present. I recognize a lot of the songs played because they’ve been played so often, but I couldn’t tell you who recorded them. Oooh, that’s familiar and catchy, I need to get out on the dance floor. I still have a predilection for catchy and dance-able music. If the song doesn’t have a great hook, the chances of me liking it diminish quite a bit.

Unlike other people, I don’t have the radio on all the time as background at home. My stereo and giant speakers were taking up space for no real reason, so I finally got rid of them a few years ago.

I’m also quite ambivalent about my lack of attachment to music. Sometimes I think I’m really missing out, so I’ll make an effort to listen and understand. And lots of times it just seems like a lot of effort and a waste that I don’t feel bad foregoing.

crossposted from King Rat.

The Bots

Mar. 29th, 2012 01:01 pm
kingrat: (Logo)

Having a hard time focusing on work this afternoon, so here’s a short post on one of my favorite music discoveries of the last year. The Bots are a punkish duo out of Los Angeles. These two kids have talent. Listen to ʼem now so you can be of of the people who can say I’ve been listening to them since before they were popular! Check out their web site to play all their songs, but here’s the video for the song that got me hooked:

crossposted from King Rat.

kingrat: (Default)
It's poppy and catchy and dammit this is good. Go listen to Creature doing Love Song. (Found via I (heart) music)

SMP

May. 24th, 2002 01:45 am
kingrat: (Default)

I don't listen to music too much. Not because I don't like music, however. The radio stations mostly play crap. Listening to a CD (does anyone call them compact discs anymore?) is a pain cause I am not usually in one place long enough to listen to a whole CD. And other times I don't know exactly what it is I want to listen to. I want a mix of various albums. I don't want to listen to an entire album straight from the store.

Also, there aren't a lot of small bands I like, although I prefer small, less polished and more raw bands. Recently, I made the acquaintance of one Deirdre Wehrman ([livejournal.com profile] evillinn), who doubles as the self-described "band-girl" or manager for SMP. I never listened to them before, but I've been to three of their shows in the last couple of months, including one tonight. Mostly I really like Jason Bazinet's use of the drums in the music. THe songs got rhythm that just get me moving.

Sadly, I have yet to actually purchase one of their CDs. This situation is one which I suspect will be corrected as soon as Deirdre reads this. I'll be hounded to actually purchase one to support the band.

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